top of page
Devi S. Laskar author photo.jpg

Devi S. Laskar


Devi S. Laskar is the author of the novel The Atlas of Reds and Blues (2019) which garnered praise in The Washington Post, Chicago Review of Books, Booklist and elsewhere, and has appeared on most anticipated lists in TIME, Cosmopolitan, Marie Claire, Nylon and The Millions. She has been nominated for a Pushcart Prize and Best of the Net. In 2017, Finishing Line Press published two of her poetry chapbooks. A native of Chapel Hill, N.C., she now lives in California.




Poets Writing in the Anzaldúan Borderlands

Edited by Pallavi Dhawan, Devi S. Laskar, & Tamika Thompson

Through poetry, short stories, and essays, the works in Graffiti expose lives that move in unexpected ways, rendering characters who don’t fit the cultural tropes we cling to. Graffiti shows what writers-of-color do when they are given permission to scribble, scrawl, romanticize, and speculate, without being politicized or exoticized.


I love the originality of the voices in Graffiti, the brave new writers I've discovered here, in addition to several I admired already. I love the concept of writing beyond whiteness, being unconcerned about any gaze other than our own. Kudos to the editors for collecting work that is at once meaningful and playful. I hope this book will find its way into the hands of many readers. It just might transform them. Mashallah!

—Chitra Banerjee Divakaruni, author of The Forest of Enchantments


The voices in Graffiti howl with a collective energy and strength that is unmatched. These writers have the capacity to both tear you apart and heal you in one fell swoop. Each piece offers an opportunity for us to examine the ways in which communities of difference can band together to create a space for a revolution to take shape and flourish. Graffiti isn’t just a brilliantly composed collection, it is an absolutely essential one. I feel fundamentally changed after having read this powerful anthology.

—Alex Espinoza, author of Cruising: An Intimate History of a Radical Pastime


Graffiti springs forth like an anthem from a future, where, unaware of the white gaze and ethnic codification, people of color are one.

—Reyna Grande, author of The Distance Between Us

bottom of page